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Usually, the computer sound is more grainy and flat than that of dedicated audio gear. It does everything you might ever need a DAC to do, and I'd put its sound as being among the best I've heard. One CD2, and to play high-resolution files through my system. And though I've heaped an embarrassing amount of praise on the e.

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Usually, the computer sound is more grainy and flat than that of dedicated audio gear. If you're looking for some sort of rounded-off, euphonic-sounding digital front-end, the DAC3. In the past, I've used the USB inputs of the various DACs I've had on hand, but I admit that I've never been wholly enamored of the process and mystery of getting good sound out of my laptop. Meanwhile, the swirling harpsichords sat strikingly close in the mix, the Bel Canto presenting the tangible texture of each plucked string. Yes, I do think the e. One CD2, and to play high-resolution files through my system. It does everything you might ever need a DAC to do, and I'd put its sound as being among the best I've heard. There was very little tonal difference between the DACs. You Betcha I thoroughly enjoyed my time with Bel Canto's e.

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When background noise is diminished, blocco and sounds appear to jump higher and faster away from the background, and thus sound more dynamic. It's nowand I thought I'd set up a shoot-out between each company's latest models, the e. It was when I turned to music with more complicated mixes and more information at the frequency extremes that the Bel Aria outshone the Benchmark. It produced broad, deep soundstages on which there was great separation between instruments, and the proper perspective of texture between instruments miked closely and those farther off. Its beauty came from truth. Digital Processor Reviews Bel Aria e.

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I could hear the tension of the pick applied to each string, and how that energy was instantly released to become the instrument's familiar clanging, jangling, nasal ring. By definition, dynamics are the magnitude of difference between loud and soft sounds. It does everything you might ever need a DAC to do, and I'd put its sound as being among the best I've heard. Yes, I do think the e. Crinkling a cellophane wrapper in a quiet church sounds far more dynamic than the same action done in a moving subway car. Its beauty came from truth.

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I could hear the tension of the pick applied to each string, and how that energy was instantly released to become the instrument's familiar clanging, jangling, nasal ring. Crinkling a cellophane wrapper in a quiet church sounds far more dynamic than the same action done in a moving subway car. But again, I haven't tried all that hard to make my laptop a genuine high-end source component. You Betcha I thoroughly enjoyed my time with Bel Canto's e. By definition, dynamics are the magnitude of difference between loud and soft sounds. There was very little tonal difference between the DACs. It's nowand I thought I'd set up a shoot-out between each company's latest models, the e.

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Meanwhile, the swirling harpsichords sat strikingly close in the mix, the Bel Canto presenting the tangible texture of each plucked string. In the past, I've used the USB inputs of the various DACs I've had on hand, but I admit that I've never been wholly enamored of the process and mystery of getting good sound out of my laptop. Usually, the computer sound is more grainy and flat than that of dedicated audio gear. It produced broad, deep soundstages on which there was great separation between instruments, and the proper perspective of texture between instruments miked closely and those farther off. You Betcha I thoroughly enjoyed my time with Bel Canto's e.

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